After an unsuccessful experiment with black lacquer (too dark) and contrasting highlights (too much contrast) we decided to rethink the project entirely by moving the piece to a new space and painting it the same gray satin finish used on the walls and trim. As noted earlier the cabinets angled sides reflected in the mirrored back give a “built-in” effect, which the new paint finish only further emphasizes. Now the piece fades into the wall beautifully showcasing the art glass collection within while emphasizing the graceful slender arches I’ve admired all along.
The Elizabethan armchair is an antique reproduction from the 1920’s, a previous DIY project that was our first and last attempt at reupholstering. The architectural salvage column holds a whimsical bowl in the form of a shell supported by monkeys, which seems to have dictated an animal theme continued with a Chinese horse carving, a colorful framed bird print, and a charming folk art elephant resting atop the antique palm frond corbel.
An animal or two even turns up inside the curio in the form of a Murano glass swan and small etched bird vase, but the majority are simply random favorites from the collection including an amber glass dinner bell, a blue Art Nouveau style vase, and a stunning Deco piece of ruby cut crystal. The print perched atop the cabinet not only looks great against the wall color but also makes a fine backdrop for the unusual antique copper statue of a mysterious gentleman in elaborate Elizabethan garb.
Photos and home staging by KS&D.
